LFF Preview: Argo and Midnight’s Children

From Netribution

These two films each take an unflinching look at the damage wrought when countries have change imposed upon them, but leaven the tone with helpings of ridiculousness.

Midnight’s Children (in a nicely streamlined screenplay by the novel’s author Salman Rushdie) sticks with the magic realism of the novel, such as when India is actually plunged into a permanent midnight during Indira Gandhi’s State of Emergency in the mid 70s, known as the country’s “darkest hour.”

The novel’s sense of the absurd is woven throughout the film, mirroring the the attempts of the narrator, Saleem Sinai, to create a coherent narrative out of all the strange things that have happened to him and to the newly independent India, since both were born on 15th August 1947.

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